Totally gonna win the Turner Prize for this.
So this weekend I did something I’ve been meaning to do for
a long time and went to Margate. For someone who is fetishistically obsessed with depressing seaside towns and has
lived in London for about five years it’s strange I’ve never been there before (although maybe not seeing as it’s usually £30 on the train!). All I really
knew about it was that Tracey Emin’s from there, they have the Turner
Contemporary Gallery and the shell grotto and that my colleagues at Evil Art
Empire™ are always going. For these reasons I assumed it would be full of
tourists and bougie arty types. Although
there is that side to it, and I must admit I probably sometimes fall into the
arty, bougie, touristy categorical triptych, it’s not exactly the first thing
you think when you come off the train.
My friends and I got there when it was grey and overcast and
looking at the grey buildings gave a pretty melancholic feel, then we saw the amusement
arcades on the seafront, one of which was called Dreamland and had its name
written vertically on the side of a faded brown building in extinguished neon
letters, it was dwarfed by a huge 1960s tower block behind which dominates the
Margate skyline, the combination had a pretty amazing Soviet-style
architectural effect.
Like anywhere there are the more bougie bits of Margate
–mainly the old town which is aimed at us tourists- but it’s mostly a working
class town and I am guessing from the high street which is dead (yes there was
that Mary Portas documentary but we won't go in to that) it’s been hit hard by cuts, etc. You pass the odd
teenager wandering the streets necking beers which you could attribute to there
being not much to do. This might be correct but then what’s wrong with walking the streets with a
beer? It’s the type of thing I did as a teenager in a big city and still often
do today.
I love the old-skool arcades and the bleakness of the Margate seafront, something always drives me to want to be by the sea. Any
water is good, even when I cross some bridge in London over the Thames I feel
instantly better about living there. If I don’t get my sea-fix for too long I
feel suffocated. I grew up in Birmingham which isn’t by the sea at all so I
don’t know where the drive comes from, or perhaps it’s an urge you just have
for no apparent reason like wanting to find someone or several people to have
sex with. Inland there is always a sense of suffocation.
The sea is such an instantly pleasing thing, I mean what’s not to like, but
perhaps there’s also something about seeing the edge of things that makes me
feel less trapped, though realistically what am I gonna do? Swim to another
country? I remember being at the Danube Delta in Romania and this fisherman who
was there described it as being ‘like the end of the earth or maybe the
beginning’. I know that sounds like a contrived line from an American film but
it wasn’t and I think he had a point. I mean about the sea generally, even in
Margate.
Mrs Booth the shell lady of Margate keeps a silent watch on
the town, biding her time until she hatches her evil plans.
The light by the sea is amazing which is why, as a friend
pointed out the other week, so many artists live by the sea, 90% of whom are
terrible generic watercolour artists who paint generic paintings they sell to tourists
desperate to buy things and after a couple of ciders I start to delude myself
that I’m JMW Turner with my crappy camera phone taking inadequate pictures of
the sea and the sky. This got even worse when it came to evening and it
actually started getting sunny so the light became this really bright evening
sun amongst big shadows and then it got dark and I got hooked looking at the
stars and the neon lights by the sea reflected in the water/sand. There’s
something about electric lights at night in harbours and places where there’s
not a lot going on that I’m really drawn to. I’ve always had it, I can’t explain
it. Something alive but synthetic in darkness, or it points to where people are
or where people have been when it’s surrounded by no people. A lot of the bars
in Margate were empty or partially empty even on a Saturday night in June but
we found a cosy one that was busyish by the lighthouse and the terrifying
statue of the shell woman. The bar also had a pretty awesome barman with loads
of tattoos and great facial hair. We
spotted many gays at that bar too. Score. Then we went to Sundowners which I
think is Margate’s only official gay bar. It was great. The website, which might need an update, makes it look like it would have a very cis man-only exclusionary vibe but
there was a good mix of genders and ages there and everyone we met was super
sweet and friendly. I think London is such an unfriendly, impersonal city
sometimes, especially when you go to bars and people are scared to enjoy
themselves in case it makes them look bad. But then you get that in other places I've lived like Brighton
too... Anyway in Sundowners no one was ashamed to dance and
everyone was loving the karaoke. We hid in the corner but the landlady found us
and bought us all enormous shots of tequila imploring us to come back. It’s one
of those places up several stairs where they have to buzz you in which I kind
of like, but if it’s because of homophobia then that’s not so great.
I’m not gonna up sticks and move to Margate shockingly enough, I had a great time there but the town has
its problems and its very white and very small and there's not loads to do, for all the
foibles of London I prefer living there. But Margate did fulfil my delusional
romantic tourist notions and my seaside town fetish, I also met a lot of super
friendly people and my friends and I enjoyed making up fantasy lives for random
people we passed on the street or saw in bars. I will definitely go back. Triggered
by the landscape I had these two songs going round in my head all day:
The lighthouse glows red at night making it look like the
evil eye of
Mordor which is pretty awesome. You can speculate that the red eye
is
really a device which turns people into zombies and that that device is
being
manipulated by the shell lady who in turn is being controlled by the
swamp witch
who hangs out by the harbour, at least if you’re anything like me.
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